Botanic Garden and Natural Lands

Harvey Memorial Garden

Located in a quiet corner of the Wilderness Garden, the Harvey Memorial Garden is dedicated to the memory of the free Black man known to us as “Harvey,” whose presence on this land is otherwise uncelebrated and largely unrecorded by history. The Harvey Memorial Garden was designed by former Assistant Gardener Yasir Hall and Lead Gardener and Land Manager Mandy Katz, with support from the staff Harvey Memorial Committee and many devoted partners.

In “Slavery and Freedom at Bartram’s Garden,” late Historian Joel T. Fry writes,

“It has long been the story from early biographies of John Bartram that he ‘gave freedom to an excellent young African whom he had brought up, and who continued gratefully in his service while he lived.’ This individual, presumably male, remains in the shadows of the history of Bartram’s Garden. He was mentioned in several short, early biographies of John Bartram and eventually in 1860 was he connected with a name, ‘Harvey.’ When the last Bartram heirs left the historic garden site in 1850, the grave of this individual was marked in the southeast corner of the garden, near the river. ‘Harvey’s Grave’ remained marked for at least a century more and was generally included among the tourist attractions at Bartram’s Garden, even before the garden became a public park in 1891 . . .

“It remains difficult to pull apart fact from fiction in the account of the ‘excellent young African’ and the Bartram family’s relations with slavery. But the limited concrete documents, mainly tax records and census records do record a real, if limited Free Black presence at Bartram’s Garden by the end of the 18th century . . . While there is no proof the name or the grave site is accurate, if not mythical, it is a plausible story. And it is a physical place to commemorate the early Black history of Kingsessing.”

Although concrete details surrounding the existence of the free Black man named Harvey remain unknown, what these elusive circumstances surrounding his life say about our country’s broader neglect of Black histories is quite clear. Harvey’s story, or lack thereof, is a drop in the ocean of Black lives—not just the very labor that has built and sustained this country since the founding days, but the joys and triumphs, the trauma and hardships, the talents and personalities, the families and communities—that we will never know.

The creation of the Harvey Memorial Garden is to commemorate those stories that we do know, and the millions of those that we don’t. It is to honor the lives, legacies and contributions of Black folk in this Garden, this neighborhood, and country both past and present. It is a reminder of the violent history of slavery that is omnipresent, even amongst the scenic serenity of these botanical gardens. Bartram’s Garden is an aspirational vision for a future where historic places seek to repair our fraught legacies, and the dedication of the Harvey Memorial Garden is part of our efforts to do so.

Learn more about Black History at Bartram’s Garden.

Plant List & Garden Design

The Harvey Memorial Garden includes the following plants:

• Crataegus succulenta var. macracantha, fleshy hawthorn
• Rhododendron ‘English roseum’, rhododendron
• Physocarpus opulifolius ‘Coppertina’, ninebark
• Rosa chinensis ‘viridiflora’, green rose
• Illicium floridanum ‘alba’, white Florida anise tree

Writing about his design for the Harvey Memorial Garden, Yasir Hall explains,

“This memorial will memorialize not only the life of Harvey but also the lives of all those who have gone unrecognized for their hard work. It features an unusual green rose (Rosa chinensis ‘Viridiflora’), which is said to have been discovered in China during the mid-18th century. However, it did not gain attention until the mid-19th century, when it was rumored to have been used by abolitionists to show that their homes were welcoming to all people who were in need of shelter while fleeing enslavement.

The green rose will represent the welcoming and acceptance of all people here at the Garden. Its green color also represents the connection between life and nature, showing how although it may seem like we are so very different, humans and nature have much more in common than we think!”

Ann Bartram Carr Garden

Located on the west, or trail, side of the Historic Bartram House, the Ann Bartram Carr Garden was originally the 19th-century exhibition garden created by John Bartram’s granddaughter Ann (1779-1858) and her husband, Colonel Robert Carr. It was also the first public green space at Bartram’s Garden, showcasing fashionable exotics that the Carrs imported from around the world, as well as Ann’s own hybrid dahlias and camellias. 

The curved paths of the Carr Garden are designed for moving slowly and carefully observing the plants on display. Feel free to walk on the grass paths, too! Click here for an audio description of the Ann Bartram Carr Garden designed to make this space more accessible to all.

Restored in 2016, this is Philadelphia’s only interpreted 19th-century pleasure garden. The restoration received a 2017 Grand Jury Award from the Preservation Alliance of Greater Philadelphia and a 2018 Award of Merit from the PA-DE ASLA Chapter.

Upper Garden

Common Flower Garden
The Common Flower Garden is sited on the river-facing side of the Bartrams’ home, directly across from their front porch. During the 18th and 19th century, plants were shared with the Bartrams from all over the world; this garden is curated to represent their most intriguing specimens. It contains both native and newly introduced species of flowering plants, including annuals, perennials, bulbs, and a showy center display that is designed seasonally.

Kitchen Garden
The Kitchen Garden includes examples of plants a family could have grown to sustain their needs in a Philadelphia garden prior to 1830. We include plants that were new and unusual introductions to this continent, such as tomatoes and peppers. A typical kitchen garden prior to the mid-nineteenth century would have included a variety of what were referred to as “herbs”: vegetables, plants used in dyeing and textiles, medicinal and culinary plants, and plants used for cosmetics and household cleaners. Today, we grow a mix of all these categories, as well as seed crops to help preserve varieties that have survived from this time.

Native Medicinal Plant Display
John Bartram had a lifelong interest in plant medicine and healing, and he cultivated a large number of important North American medicinal plants, including ginseng. This display, adjacent to the Barnyard, is inspired by a 1751 treatise written by John Bartram that was published by Benjamin Franklin in Thomas Short’s Medicina Britannica.

Coach House
On the river side of the Coach House and to the right of the large evergreen Magnolia grandiflora you’ll find a small garden bed dedicated to two very different displays. In the Spring you’ll find a part of our historic bulb collections featuring species tulips and fragrant hyacinths. In the Summer the bed explodes with examples of historically grown hothouse tropicals, tender perennials, and annuals.

Lower Garden or Wilderness Garden

The Wilderness Garden is actually a series of gardens, an arboretum, and a park space; its name comes because the Bartram nursery business was founded on plant collecting in the American wilderness. Wilderness gardens were also a style in European estate gardening that likely influenced the layout of the lower part of the garden since at least the 1760s, though there isn’t much historical evidence of the layout of this part of the original gardens. Different garden areas here include the 1783 Plant Catalog Display, which highlights native trees and shrubs showcased in the Bartrams’ 1783 catalog; the William Bartram Quarter, which focuses on plants that were meaningful to William Bartram; and the Water Garden and Pond.

William Bartram Quarter
Following in his father John’s footsteps, William Bartram (1739-1823) continued to learn about and describe native American plants through travels in the American South and knowledge gained from the Indigenous First Nations of North America. A famed naturalist, artist, and author in his own right, William journeyed through the American South from 1773 to 1776 under the patronage of Dr. John Fothergill. William’s landmark book, Travels, first published in 1791, found an eager audience in Europeans seeking more information about the native American landscapes. His drawings and detailed observations about people and plants made Travels an instant classic of naturalist literature.

Plantings in this section of the Garden represent trees and shrubs that are particularly associated with William Bartram, including bottlebrush buckeye (Aesculus parviflora) and oak-leaf hydrangea (Hydrangea quercifolia), both of which William noted during his Southern travels, as well as Fothergill or witch alder (Fothergilla gardenii), named by another botanist for William’s patron.

Water Garden & Pond
The Water Garden and Pond showcase native American plants endemic to aquatic and wetland ecosystems, including lotus (Nelumbo lutea), fragrant water lily (Nymphaea odorata), and even carnivorous plants like pitcher plant (Sarracenia flava) and Venus fly trap (Dionaea muscipula). Like the rest of the Garden, the Pond also has its own native residents, including fish and turtles.

The Pond was recreated in 1998 based on archaeological evidence of John Bartram’s original “fish pond” in this spring-fed area, where he grew fragrant water lilies, American lotus, golden club, arrow arum, pickerel weed, and other native water plants.

Eastwick Pavilion Moon Garden
The moon garden at Eastwick Pavilion is specifically planted as a pollinator garden for moths and other nighttime pollinators. Nighttime pollinators are attracted to pollinator plants that are pale colored and night blooming or night scented.

Harvey’s Memorial Garden (Future Site)
Designed and Written by Yasir Hall, Youth Apprentice (2022)
Within the Garden’s many layers of history lies the story of a free Black person who was mentioned in some historical sources as working with the Bartram family and likely living here at the Garden. His job title is unknown: in fact, not very much is known about him at all. His name, like the names of many other Black people throughout history, was wiped from history and forgotten.

According to Curator Joel Fry, “When the Bartram family sold the property in 1850, the grave of this individual was marked here in the southeast corner of the Botanic Garden, near the river.  In the 1860s, probably decades after his death, this person was identified in an early biography of John Bartram as being named “Harvey.” “Harvey’s Grave” remained marked for at least a century more and was generally included among the early tourist attractions at Bartram’s Garden, even before the garden became a public park in 1891.”

This memorial will memorialize not only the life of Harvey but also the lives of all those who have gone unrecognized for their hard work.

It features an unusual green rose (Rosa chinensis ‘Viridiflora’), which is said to have been discovered in China during the mid-18th century. However, it did not gain attention until the mid-19th century, when it was rumored to have been used by abolitionists to show that their homes were welcoming to all people who were in need of shelter while fleeing enslavement.

The green rose will represent the welcoming and acceptance of all people here at the Garden. Its green color also represents the connection between life and nature, showing how although it may seem like we are so very different, humans and nature have much more in common than we think!

Learn more about Black History at Bartram’s Garden.

Meadow

The name of our neighborhood, “Kingsessing,” is derived from a Lenape word meaning “place where there is a meadow.” The 17-acre hillside Meadow has been reclaimed from the Warner Company, a cement factory that occupied the site from 1925 to 1977. Many of the skyscrapers and highway bridges you can see across the river were constructed with concrete manufactured right here. 

While this Meadow was re-established in 1987, it represents what grew here at the time of the Bartram family. The Bartrams harvested hay and let their cows and horses graze. They — like us — had a view of the Philadelphia skyline, though it looked quite different than it does now!

Mown paths through the Meadow change from year to year. Where does a smaller path take you? How has the Meadow changed since your last visit?

Meadows are pioneers of land reclamation, cropping up wherever there’s sunny open space. Grasses and wildflowers provide food and shelter to small mammals, native insects, and migratory birds. Without animals grazing or occasional fires, meadows quickly transform to woodland. We manage our Meadow with annual mows, which allow the Meadow to rejuvenate. You can also find pockets of more intensively planted wildflowers scattered throughout the Meadow, in the hopes that the wildflowers will spread themselves throughout the space over time.

Look for Common Milkweed (Asclepias syriaca) growing in the Meadow, which has a special relationship with monarch butterflies. You can observe the full life cycle of a monarch–egg to caterpillar to chrysalis to butterfly–right here each year!

Our meadow is also home to 10 bee hives, maintained in partnership with Philadelphia urban beekeeper Jeff Eckel of Instar Apiaries. The honey is harvested each year for sale in our Welcome Center.

Boardwalk and Tidal Wetland

This portion of the Schuylkill River is tidal, so the direction of the flow reverses about every 6 hours, and the water level fluctuates by 5 to 7 feet, creating wetland and mudflats. 

Archaeological evidence shows that humans have lived here seasonally for more than 5,000 years, due to the reliable source of food generated by the nutrient-rich wetlands. In John Bartram’s time, colonists recognized the value of the wetland and maintained it in common rather than one individual owning the land. 

The Boardwalk provides a dry footpath through natural tidal wetlands right on the river’s edge and includes tidal marks from the 1800s carved into stone. On either side of the path, you can see bald cypress (Taxodium distichum) trees, large deciduous conifers with easily identifiable “knees” poking out of the soil, along with oyster mushroom colonies on fallen trees and introduced species of fragrant clematis.

Further south, adjacent to the Sankofa Community Farm, a 1.5-acre freshwater tidal wetland was created in 1997 and restored and expanded in 2013. It provides important habitat for many creatures and features native plants, including bulrush, marsh grass, spatterdock, iris, hibiscus, and marsh rose, as well as edibles including pawpaw, beach plums, and persimmon.

Cider Mill Slope

The carved stone cider mill is a great place to enjoy wildflowers endemic to the mid-Atlantic, including spring ephemerals such as bluebells (Mertensia virginiana) and woodland poppy (Stylophorum diphyllum) and, later in the summer, passionflower or map pop (Passiflora incarnata). It’s also a great vantage point for birding: look for migrating songbirds, including various warblers and Cedar Waxwings in spring and fall, as well as waterfowl and shore birds that are drawn to the tidal wetland.

Learn more about the Cider Mill.